Symphonie Nr.2 d-moll, Op.48 ‘Jeanne d’Arc’ (2009-2012) is 2nd Symphonie that I composed. This Symphonie inspired by Joan of Arc, and tells the story of her life from her birth in Domrémy, 6 January 1412 until her death burned at the stake in Rouen, 30 May 1431.
Symphonie Nr.2 d-moll, Op.48 ‘Jeanne d’Arc’ (2009-2012) had 4 movements: I. Her Birth and Childhood (Scene of Domrémy). Maestoso – Allegro ma cantabile
The Music depicts the birth and childhood of Joan of Arc and also the Landscape of Domrémy where she was born on 6 January 1412.
II. Her Vision and Journey. Adagio maestoso
The Music depicts her first visions of the Archangel Michael, St. Catherine, and St. Margaret while in her father’s garden at age 13 on 1425 that inspires her journey to war after Burgundy raid Domremy on July 1428.
III. Her War and Capture. Allegro appassionato e con brio
The Music depicts the scenes where Joan of Arc leads her troops
against England and Burgundy throughout 1429 until she finally
captured by Burgundy on 23 May 1430 in Compiègne
IV. Her Trial and Death at the Stake . Adagio con lamentoso
The Music depicts Joan’s trial on various charges and her life in prison from January 1431 until finally she burned at the stake in Rouen on 30 May 1431.
Composed by Jaga Cita
INSTRUMENTATIONS
2 Flutes (Flute II doubles Piccolo)
2 Oboes
2 Clarinets in Bb
2 Bassoons
Contrabassoon
4 Horns in F
2 Trumpets in Bb
Timpani
Percussions (Triangle, Cymbal, Bass Drum)
Violins I
Violins II
Viola
Violoncello
Contrabass
Symphonie Nr.3 A-dur, Op.51 ‘Athayya Symphonie Maestoso’ (2012-2014) is 3rd Symphonie that I composed inspired by my 1st Son, also named Athayya Symphonie Maestoso. It’s a description about my feeling when my son was born, and feeling of being a Dad…
Symphonie Nr.3 A-dur, Op.51 ‘Athayya Symphonie Maestoso’ (2012-2014) only had 1 movement: Allegro moderato cantabile
it’s tonal center is in A Major (A-dur in German)
Using modified Sonata Form
Composed by Jaga Cita
EXPOSITION Theme I: represent Athayya with 3 chords that represent his name A-tha-yya Theme II: depict a scene when he’s playing around
DEVELOPMENT Labor Theme: depict a scene where he was born from his mother as I watched Birth Theme: describe my feeling when I see my son’s birth Cradle Theme: depict a scene where I cradle him for the first time Retrospective Theme: is where I’m looking back to view my life from the past that leads here
RECAPITULATION Theme II: depict a scene when he’s playing around Theme I: represent Athayya with 3 chords that represent his name A-tha-yya Labor Theme: depict a scene where he was born from his mother as I watched
CODA Introspective Theme: is where I’m looking into myself from what I’ve done in my life to become fully mature and ready to be a Dad. Concluding Theme: is a conclusion of all the story as I am ready to be a Dad for my son.
In this YouTube Video, I labelled every Theme so you can understand what scene or story you’re hearing right now
Dedicated to My 1st Son: Athayya Symphonie Maestoso
INSTRUMENTATIONS
Flute
2 Clarinets in A
2 Bassoons
2 Horns in F
2 Trumpets in Bb
Violins I
Violins II
Viola
Violoncello
Contrabass
Special Thanks to Mr. Lennart Ostman for his NotePerformer renditions
music scores created using Avid Sibelius 7 all rights reserved
Unsterbliche Geliebte, Op.53 (2012) is a composition for Piano & Orchestra that I composed inspired by My Wife. It’s a description about my feeling for her that always accompanied me since we’re just senior high school student at 2007. I wrote this at our 5th anniversary in 2012 until finally we got married in 2014 and had 2 wonderful children since.
Unsterbliche Geliebte means Immortal Beloved, describe my love for her.
Earlier version of this Composition titled SATU in Indonesian.
Unsterbliche Geliebte, Op.53 (2012)
Ballade for Piano & Orchestra
Poem & Music Composed by Jaga Cita
Piano played by Jaga Cita
a tribute to my wife, Marini Syahbani-Cita
ketika sendiri disini, aku melihatmu
ketika melihatmu disini, aku berpikir
andaikan kau terhilang dari pandang
akankah aku mengejarmu
saat hati terselimuti malam, aku mendengarmu
saat aku mendengarmu, aku berharap
jika suara itu akan selalu tertanam
terhembus dalam dua hati yang bertautan
jikalau aku sendiri
aku tetap menatap kedepan
karena disanalah aku melihatmu
dimana aku akan terus bersamamu
bahkan jika aku tidak melihatmu, aku melihatmu
bahkan jika aku tidak mendengarmu, aku mendengarmu
bahkan perbedaan tidak selalu mengunci
biarkan semuanya teresapi
kita teruskan kehidupan
biarkan angin mengisi sunyinya malam
kita tetaplah satu
bagaikan alam yang mengisi dunia
wednesday, 21 september 2011 00:22 am
INSTRUMENTATIONS
Flute
Oboe
2 Clarinets in Bb
2 Bassoons
2 Horns in F
Timpani
Percussions [Triangle, Cymbal, Bass Drum]
Piano
Violins I
Violins II
Viola
Violoncello
Contrabass
Landscape (2009) is a material for my solo album that I composed inspired by Nature and it’s wonderful landscapes. It’s my tribute to Mother Nature, to our beloved Earth. Manifestation of my love for nature and expression of gratitude that I can still see the beautiful natural scenery and that thrill my heart … as a sign of God’s greatness …
Landscape (2009)
Poem with Music
Poem & Music Composed by Jaga Cita
a tribute to Mother Nature… to our beloved Earth…
Now I’m here
See
The Green scenery
Beautiful landscapes on my side
With forest of tranquility
Where the birds are singing
Sings a morning song
The plateau
Where the sheperds walks their sheeps
Touching my deeper heart Again
The farms
Where the farmers talks to their plans
It’s sense me to wonder
Now The Fresh Air touching my skin
Makes a peace of mind
When I see the Green Mountain in the background
Like a wallpaper
Bring me more tranquility
But Is it still belong?
I’m afraid to lose these sight
I still hope
That this Beautiful Landscape
Are still there…
…forever and ever…
Noise Prelude, Op.57 (2016) is a material for my solo album that I composed inspired by “Telolet” Bus Horn that becomes a trending topic worldwide sometime ago. Here I employed “Telolet” sound on it’s original form and harmonized it with dissonant harmony to describe my annoyance. Sounds like hybrid between Debussy + Stravinksy
Noise Prelude, Op.57 (2016)
Prelude for Orchestra based on the Bus Horn “Telolet” notes
Composed by Jaga Cita
INSTRUMENTATIONS
Piccolo
2 Flutes
2 Oboes
2 Clarinets in Bb
2 Bassoons
4 Horns in F
3 Trumpets in C
2 Tenor Trombones
Bass Trombone
Tuba
Timpani
Triangle, Cymbal, Bass Drum
Violins I
Violins II
Viola
Violoncello
Contrabass
music scores created using Avid Sibelius 7 all rights reserved
Innocent Life, Op.55 [Flute cover using Soprano Recorder]
Innocent Life, Op.55 (2016) is a material for my solo album that I composed inspired by my children. It’s a description about my feeling when I see my 2 sons, and feeling of being a Dad…
Innocent Life, Op.55 (2016)
Duo for Flute & Guitar
Composed by Jaga Cita
It’s about Our Children
Dedicated to David Qlintang & Ria Septiani
Composed on Wednesday, 5 October 2016
from 10:10 – 13:05
at MSI Pondok Indah
The Odyssey, Op.54 [Piano + Orchestra backing track]
The Odyssey, Op.54 (2016) is a material for my solo album that I composed inspired by “Sea”. Here I tried to depicts someone who sail the sea and described the nuances & mood into music.
The Odyssey, Op 54 (2016)
Fantasia for Piano & Orchestra
Composed by Jaga Cita
It’s about Sea & Sail
INSTRUMENTATIONS
Piccolo
Flute
2 Oboes
2 Clarinets in Bb
2 Bassoons
4 Horns in F
2 Trumpets in Bb
Timpani
Percussions [Triangle, Cymbal, Bass Drum]
Piano
Violins I
Violins II
Viola
Violoncello
Contrabass
renta (mother) is a material for my solo album that I composed inspired by every women that called “Mother”, in other words it’s my tribute to every mother in the world, especially my mother and my wife. This composition born from a collaboration with Thisi, vocalist from a big band called “HajarBleh Big-Band”. She listen to my sketch for this composition and added a poem to accompanied it, poem about Mother.
renta
Poem: Thisi
Musics: Jaga Cita
my tribute for every women that called “mother”
All Instruments arranged & played by Jaga Cita